PROGRAMME.
Vernon Harcourt Room – St Hilda’s College, Cowley Place, Oxford OX4 1DY
MORNING
​10h00 - 10h30
Registration and Coffee
​10h30 - 11h00
Welcome from Fiona Macintosh and the organizers.
11h00 - 12h00
Southern Europe I.
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Chair - Sarah Knight (Leicester)
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Speaker 1 - Elia Borza (Université Catholique de Louvain) / Neo-Latin Sophocles; an Overview of the Neo-
Latin Translations of Sophocles in Renaissance Europe -
Speaker 2 - Giovanna Di Martino (Oxford) / Theatre Translation and Aeschylus in Early Modern Italy: three case studies
​12h00 - 12h15
Coffee break
​12h15 - 13h15
Southern Europe II.
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Chair - Blair Hoxby (Stanford)
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Speaker 1 - Claudia Cuzzotti (Indipendent) / The Hecuba by Michelangelo the Younger (1568-1647): translation and adaptation of Greek tragedy in the Italian Renaissance
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Speaker 2 - Luísa Resende (Lisboa) / Sophocles in sixteenth-century Portugal. Aires Vitória’s Tragédia del Rei Agaménom
​13h15 - 14h30
Lunch
AFTERNOON
​14h30 - 15h50
Northern Europe I.
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Chair - Blair Hoxby (Stanford)
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Speaker 1 - Malika Bastin-Hammou (Université Grenoble Alpes) / Translating Greek (para)tragedy in the
Renaissance -
Speaker 2 - Thomas Baier (Würzburg) / Camerarius on Greek Tragedy
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Speaker 3 - Angelica Vedelago (Padua) / Thomas Watson’s Antigone: the didacticism of Neo-Latin academic drama
​15h50 - 16h10
Coffee break
​16h10 - 17h30
Northern Europe II.
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Chair - Tiphaine Karsenti (Paris X)
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Speaker 1 - Cécile Dudouyt (Paris 13) / Translating and Play-writing: Robert Garnier’s patchwork technique
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Speaker 2 - Tristan Alonge (Université de la Réunion) - Praising the King, Raising the Dauphin: an unknown sixteenth-century French translation from Euripides recovered
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Speaker 3 - Tanya Pollard (CUNY) – Translating and Transgendering Greek Heroines in Early Modern England
EVENING
17h30 - 18h30
Plenary led by Stuart Gillespie (Glasgow)
​​
​18h30 - 19h45
Drinks Reception (Senior Common Room).
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Book launch of Epic Performances from the Middle Ages into the Twenty-First Century, eds. Fiona Macintosh, Justine McConnell, Stephen Harrison and Claire Kenward (OUP 2018)